Guilty pleasures
By NewsPress Now
Beyoncé leads the 2025 Grammy noms, becoming the most nominated artist
NEW YORK | Welcome to Beyoncé country. When it comes to the 2025 Grammy Award nominations, “Cowboy Carter” rules the nation. She leads the nods with 11, bringing her career total to 99 nominations. That makes her the most nominated artist in Grammy history.
“Cowboy Carter” is up for album and country album of the year, and “Texas Hold ‘Em” is nominated for record, song and country song of the year. She also received nominations in a wide swath of genres, including pop, country, Americana and melodic rap performance categories.
This is her first time receiving nominations in the country and Americana categories. Previously, she and her husband Jay-Z were tied for most career nominations, at 88.
If Beyoncé wins the album of the year, she’ll become the first Black woman to do so in the 21st century. Lauryn Hill last won in 1999 for “The Miseducation of Lauryn Hill,” joining Natalie Cole and Whitney Houston as the only Black women to take home the Grammys’ top prize.
Post Malone also received his first ever nominations in the country categories this year, having released his debut country album “F-1 Trillion” in August. That one is up for country album and “I Had Some Help,” his collaboration with Morgan Wallen, is nominated for country song and country duo/group performance. They are Wallen’s first ever Grammy nominations.
Malone is just behind Beyoncé, with seven nominations, tied with Billie Eilish, Kendrick Lamar and Charli XCX, who earned her first nominations as a solo artist.
Lamar’s ubiquitous diss track released during his feud with Drake, “Not Like Us,” is nominated for record and song of the year, rap song, music video as well as best rap performance. He has two simultaneous entries in the latter category, a career first: Future & Metro Boomin featuring Lamar, “Like That” is up for best rap performance and best rap song.
This is his third time receiving two simultaneous nominations for best rap song.
Taylor Swift and first-time nominees Sabrina Carpenter and Chappell Roan boast of six nominations each.
Last year, women artists dominated the major categories. This year, that continues somewhat, but the main trend seems to be a variance of genre. In the album of the year category, alongside “Cowboy Carter” is André 3000’s new age, alt-jazz “New Blue Sun” and multi-instrumentalist Jacob Collier’s “Djesse Vol. 4.” Rising pop stars Carpenter and Roan round it out, with “Short n’ Sweet” and “The Rise and Fall of a Midwest Princess” respectively, as well as Swift’s “The Tortured Poets Department,” Eilish’s “Hit Me Hard and Soft,” and Charli XCX’s rave-ready “BRAT.”
Eilish is the only artist to have her first three albums become nominated for album of the year.
Last year, Swift won album of the year for “Midnights,” breaking the record for most wins in the category with four. This year, she becomes the first ever woman to seven career nominations in the category.
“The breadth and the variety of genres represented in the general field feels new and really exciting,” says the Recording Academy CEO and President Harvey Mason jr. He credits an active and evolving voting body for its success. “We’ve been very intentional in how we looked at and tried to rebalance our membership. So not just gender or people of color, different racial makeup, but also genre equity and trying to make sure that all different types of music in different regions and different locations are being represented in every way possible.”
Only recordings commercially released in the U.S. between Sept. 16, 2023 through Aug. 30, 2024 were eligible for nominations. The final round of Grammy voting, which determines its winners, will take place Dec. 12 through January 3.
In the best new artist category, Carpenter and Roan will go head-to-head, alongside Benson Boone, Doechii, Khruangbin, RAYE, Shaboozey and Teddy Swims.
In the song of the year category, Beyoncé is joined by Eilish with “Birds of a Feather,” Swift and Post Malone with “Fortnight,” Roan’s “Good Luck, Babe!”, Carpenter’s “Please Please Please,” Lamar’s “Not Like Us,” Lady Gaga and Bruno Mars’ “Die With A Smile,” and Shaboozey’s “A Bar Song (Tipsy).”
Shaboozey is also a first-time nominee. His “A Bar Song (Tipsy)” is the biggest song of the year, having spent more weeks at No. 1 on the Billboard Hot 100 than any other — it is so popular, a remix of the track is also up for remixed recording.
Elsewhere, Shaboozey is nominated in the melodic rap performance category for his feature on Beyoncé’s “SPAGHETTII.” Linda Martell, the first commercially-successful Black woman musician in country, is also featured on the song, delivering the 83-year-old artist her first Grammy nomination.
For record of the year, “Texas Hold ‘Em” will compete against Swift and Post Malone’s “Fortnight,” Eilish’s “Birds of a Father,” Lamar’s “Not Like Us,” Roan’s “Good Luck, Babe!”, Carpenter’s “Espresso,” Charli XCX’s “360,” and the Beatles last new song, the AI-assisted “Now and Then.”
“We’re trying to make sure we’re keeping up with how music creators and our community are using technology. And in this case, AI enhanced the record and allowed it to be eligible in the categories that it was eligible in,” Mason jr explains.
Dolly Parton scored her 55th career nomination in the audio book, narration, and storytelling recording category for her “Behind the Seams: My Life in Rhinestones,” news The Associated Press broke to the country music legend Friday morning. “No! What did I get nominated for?” she cheered over the phone. “Oh, well, that’s cool. I thought it would be for my rock album, I’d take it.
“It feels good. I’m always appreciative of everything. I don’t work for that, but it’s always good to say ‘you’ve done good work,’ and for somebody to acknowledge that. So, I’m always proud of every award I get and every mention I get. That just makes me feel like I’m doing the right thing.”
She’s up against producer Guy Oldfield, George Clinton, Barbra Streisand and Jimmy Carter, who could become the oldest Grammy award winner in history at 100.
So, what’s missing? Like last year, there’s a huge dearth of Latin music — the fastest growing streaming genre in the United States — across the board, and no representation in the major categories. There are also only four entries in the best Música Mexicana album category, despite it also being one of the fastest growing genres.
And K-pop, too, seems to be absent. There are no nominations for the BTS members who’ve released solo material this year: RM’s “Right Place, Wrong Person,” J-Hope’s “Hope on the Street, Vol. 1,” and Jimin’s “Muse.” As a boy band, BTS has received five nominations across their career.
“I definitely see room for improvement across many genres and we are continuing to invite people to be a part of the academy,” Mason jr. says. “Without the right representation we don’t get the right results. When I say right, I mean reflective and representative of what’s happening in music today. So, the work continues.”
The 2025 Grammy Awards will air Feb. 2 live on CBS and Paramount+ from the Crypto.com Arena in Los Angeles.
‘Heretic’ and Hugh Grant debut with $11M
NEW YORK | “Venom: The Last Dance” has been no blockbuster in North American theaters. But in a lethargic fall moviegoing season, even a so-so performing superhero sequel can rule the box office for three straight weeks.
For the third weekend in a row, “Venom: The Last Dance” was the No. 1 movie at the box office, collecting $16.2 million in ticket sales in U.S. and Canadian theaters, according to studio estimates Sunday. It fended off a pair of new challengers in the Hugh Grant horror thriller “Heretic” and the feel-good holiday movie “The Best Christmas Pageant Ever.”
With the election on Tuesday, the major studios opted not to put any new releases into theaters. That allowed Sony Pictures’ “Venom: The Last Dance,” the third entry in the Tom Hardy-led franchise, to hold its position.
While “The Last Dance” hasn’t been a huge hit domestically — opening below expectations in late October — it has thrived overseas, grossing almost triple what it has in North America. The “Venom” sequel has grossed $279.4 million internationally, bringing its global total to $394.2 million.
“Heretic” and “The Best Christmas Pageant Ever” were neck and neck for second place. Counting only Friday-Sunday ticket sales, the edge went to “Heretic,” which debuted with $11 million. “The Best Christmas Pageant Ever,” though, factored in $2.2 million in sneak-peak screenings from last weekend to claim a reported opening gross of $11.1 million.
A24’s “Heretic,” directed by Scott Beck and Bryan Woods, follows two Mormon missionaries (Sophie Thatcher and Chloe East) who knock on the door of a man (Grant) they’ll regret trying to evangelize to. Though “Heretic” has been critically acclaimed for the darkest turn yet by Grant, audiences were less impressed, giving it a “C+” CinemaScore. Regardless, with a budget under $10 million, “Heretic” will easily turn a profit.
“The Best Christmas Pageant Ever,” released by Lionsgate and Kingdom Story Company, which specializes in Christian entertainment, is about six siblings with a bad reputation who take over the local church pageant. The film, an adaptation of Barbara Robinson’s 1972 children’s book directed by Dallas Jenkins, did well with audiences, who gave it a “A” CinemaScore. It, too, was modestly budgeted at about $10 million.
In its seventh week of release, Universal and DreamWorks Animation’s “The Wild Robot” continues to show little rust in theaters. It landed in fourth place with $6.6 million, bringing its domestic haul to $130.2 million and its worldwide gross to $292 million.
Sean Baker’s acclaimed “Anora,” starring Mikey Madison as a Brooklyn sex worker, expanded into wide release. The Neon film, an expected best-picture contender, collected $2.4 million in 1,104 theaters. Its four-week total stands at $7.2 million.
The papal thriller “Conclave,” starring Ralph Fiennes, continues to perform exceptionally well for an adult-oriented drama. The Focus Features release, in its third weekend of release, added 487 theaters and dipped a modest 19% to earn $4.1 million. It has collected $21.5 million. Similarly, A24’s “We Live in Time,” starring Andrew Garfield and Florence Pugh, has stayed strong, grossing $2.2 million in its fifth weekend for a $21.8 million total.
Overall ticket sales, though, remain sluggish. Box office is running about 11% behind last year, according to Comscore. In the last two weeks, overall ticket sales are down about 50% from the pre-pandemic average, according to David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment.
The good news for theaters: The next few weeks are lined up for several big new releases, including the Amazon MGM Christmas comedy “Red One” (Nov. 15), Paramount Pictures’ “Gladiator II” (Nov. 22), Universal’s “Wicked” (also Nov. 22) and the Walt Disney Co.’s “Moana 2” (Nov. 27).
“Better late than never is the rule of the day and we can expect some positive success stories coming out of the Thanksgiving corridor, which looks the be on par with some of the biggest such frames over the past many years,” said Paul Dergarabedian, senior media analyst for Comscore.
Before opening in U.S. theaters, “Red One,” starring Dwayne Johnson and Chris Evans, kicked off in 75 overseas markets, collecting $26.6 million. The film carries a hefty price tag of about $250 million to make.
—From AP reports
