Guilty pleasures
By NewsPress Now
Sean Baker’s ‘Anora’ wins Palme d’Or, the Cannes Film Festival’s top honor
Sean Baker’s “Anora,” a comic but devastating Brooklyn odyssey about a sex worker who marries the son of a wealthy Russian oligarch, won the Cannes Film Festival’s top award, the Palme d’Or.
The win Saturday for “Anora” marked a coronation for Baker, the 53-year-old indie filmmaker of “The Florida Project “ who used iPhones to make his 2015 film “Tangerine.” It’s also, remarkably, the fifth straight Palme d’Or won by specialty distributor Neon, following “Parasite,” “Titane,” “Triangle of Sadness” and last year’s winner, “Anatomy of a Fall.” Baker accepted the prize with his movie’s star, Mikey Madison, watching in the audience at the Cannes closing ceremony.
“This, literally, has been my singular goal as a filmmaker for the past 30 years, so I’m not really sure what I’m going to do with the rest of my life,” said Baker, laughing.
But Baker, the first American filmmaker to win the Palme since Terrence Mallick in 2011 with “The Tree of Life,” quickly answered that his ambition would remain to “fight to keep cinema alive.” The director said the world needed reminding that “watching a film at home while scrolling through your phone, answering emails and half paying attention is just not the way — although some tech companies would like us to think so.”
“So I say the future of cinema is where it started: in a movie theater,” said Baker, who dedicated his award to all sex workers “past, present and future.”
The awards were chosen by the nine-member jury led by Greta Gerwig, who told reporters she was “forever changed as a filmmaker because of this experience.” Gerwig praised “Anora” as having the feeling of classical cinema, saying it felt like an Ernst Lubitsch or Howard Hawks film that lead in unexpected directions.
While “Anora” was arguably the most acclaimed film of the festival, its win was a slight surprise. Many expected either the gentle Indian drama “All We Imagine As Light” or the Iranian film “The Seed of the Sacred Fig” to win. Both of those films also took home prizes.
It wasn’t the only jolt of the closing ceremony, though. Before George Lucas was given an honorary Palme d’Or, his old friend and sometimes collaborator Francis Ford Coppol a appeared to present it to him, reuniting two of the most pivotal figures of the last half-century of American moviemaking. Coppola, who earlier in the festival premiered his self-financed sci-fi epic “Megalopolis,” called him his “kid brother.” Lucas called Coppola “a big friend and a brother and a mentor.”
“I’m just a kid who grew up in a vineyard in Modesto, California, who makes movies in San Francisco, with my friend Francis,” said Lucas. “It’s definitely a different world. I’ve actually never made a film in Hollywood as a director.”
“All We Imagine As Light,” about sisterhood in modern Mumbai, won the Grand Prix, Cannes’ second-highest honor. Payal Kapadia’s second feature was the first Indian in competition in Cannes in 30 years.
Afterward, Kapadia urged a wide understanding of Indian cinema, saying “there’s amazing work going on in our country.”
“Not just Bollywood,” said Kapadia.
The jury awarded a special prize to Mohammad Rasoulof’s “The Seed of the Sacred Fig,” a drama made secretly in Iran. Days ahead of the film’s premiere, Rasoulof, facing an eight-year prison sentence, fled Iran on foot. His film, which includes real footage from the 2022-2023 demonstrations in Iran, channels Iranian oppression into a family drama. The Cannes crowd met an emotional Rasoulof with a lengthy standing ovation.
Coralie Fargeat’s body horror film “The Substance,” starring Demi Moore as a Hollywood actress who goes to gory extremes to remain youthful, won for best screenplay.
“I really believe that movies can change the world, so I hope this movie will be a little stone to build new foundations,” said Fargeat. “I really think we need a revolution and I don’t think it has really started yet.”
Some thought Moore, who attended the awards ceremony, might take best actress. But that honor instead went to an ensemble of actors: Karla Sofía Gascón, Zoe Saldaña, Selena Gomez and Adriana Paz for Jacques Audiard’s “Emilia Perez,” a Spanish-language musical about a Mexican drug lord who transitions to a woman. Gascón, who accepted the award, is the first trans actor to win a major prize at Cannes.
“This award is not just for me. It’s for all people who are fighting for themselves and their rights,” Gascón told reporters. “We’ve been insulted, denigrated, subjected to a lot of violence without even knowing why. I think this is award is so much more than anyone could imagine.”
Explaining the jury’s unusual choice of giving best actress to an ensemble, Gerwig said each performer was a standout, “but together they’re transcendent.” “Emilia Perez” also won Cannes’ jury prize, giving it a rare two awards at a festival where prizes are usually spread around.
Best actor went to Jesse Plemons for Yorgos Lanthimos’ “Kinds of Kindness.” In the film, three stories are told with largely the same company of actors. Plemons, a standout in several chapters, didn’t attend the closing ceremony.
Portuguese director Miguel Gomes won best director for his “Grand Tour,” an Asian odyssey in which a man flees his fiancée from Rangoon in 1917.
“Sometimes I get lucky,” shrugged Gomes.
The Camera d’Or, the prize for best first feature across all of Cannes official selections, went to Halfdan Ullmann Tøndel for “Armand,” starring “The Worst Person in the World” star Renate Reinsve. Tøndel is the grandson of Swedish filmmaker Ingmar Bergman and Norwegian actor Liv Ullman.
Last year’s top winners in Cannes went on to considerable arthouse success and awards-season runs through the Oscars. That included the Palme winner “Anatomy of a Fall” and the Grand Prix winner “The Zone of Interest.”
Whether this year’s Cannes lived up to that lineup was a regular conversation topic during the festival. But it was a notably eventful Cannes not just for the some of the films — including “Furiosa: A Mad Max Saga” and Kevin Costner’s “Horizon: An America Saga” — that screened but for other surrounding dramas.
After stalling for years in France, the #MeToo movement gained momentum ahead of the festival following allegations by Judith Godrèche against two prominent French filmmakers. She brought her short “Moi Aussi” to the festival.
The wars in Gaza and Ukraine were sometimes referenced in press conferences and in subtly symbolic ways on the red carpet. Festival workers, seeking better protections, protested during the opening night ceremony. The Olympic flame, ahead of its arrival in Paris for the summer games, stopped by. Honorary Palmes were also given to Meryl Streep and the Japanese anime factory Studio Ghibli.
‘Furiosa’ sneaks past ‘Garfield’ to claim No. 1 spot over holiday weekend
Furiosa won the holiday box office over Garfield by a hair.
It was a close race, but the wasteland warrior of “Furiosa: A Mad Max Saga” came out slightly ahead of the plump orange cat with an estimated $32 million in ticket sales over the four-day weekend according to studio estimates Monday. “The Garfield Movie,” a Sony release, earned $31.1 million in its first four days.
The dust won’t officially settle on the showdown until Tuesday when final numbers are reported, but for now at least Warner Bros. has the No. 1 movie in the country. Including international showings, its running global earnings are at $64.8 million. But victory is a long way off for the $168 million production starring Anya Taylor-Joy and Chris Hemsworth. George Miller’s prequel stormed theaters riding on great reviews and was expected to have at least a slightly stronger debut.
For Sony, the launch of the more modestly budgeted “The Garfield Movie” is a win even without the bragging rights of being in first place. The animated film featuring the voice of Chris Pratt is likely to have a long life at the box office the summer holiday beginning for school age children. With its early international release, “The Garfield Movie” has already earned over $91.1 million against its $60 million production budget.
But this weekend has also been a sobering one for Hollywood as one of the worst Memorial Day weekend box office showings in decades, excluding 2020 when theaters were closed. Ticket sales are down 22% from 2023 and the gap may just get bigger as the summer goes on. Remember, at this point last year “Barbenheimer” hadn’t even happened.
Nicki Minaj’s England concert postponed after rapper was detained
MANCHESTER, England | Nicki Minaj’s concert in Manchester scheduled for Saturday night was postponed after police in the Netherlands discovered marijuana in her bags as she was preparing to leave the country.
Promoter Live Nation said the performance will be rescheduled and tickets will be honored.
“Despite Nicki’s best efforts to explore every possible avenue to make tonight’s show happen, the events of today have made it impossible,” the promoter said in a statement. “We are deeply disappointed by the inconvenience this has caused.”
Minaj tweeted earlier Saturday that she was stopped at the Amsterdam airport as she was about to board a plane for the concert in Manchester. Police told her they found marijuana in her bags, and it would have to be weighed, she tweeted. Cannabis is illegal in the Netherlands, but it is tolerated for recreational use.
Robert Van Kapel, a spokesperson for the Netherlands military police, said a 41-year-old American woman had been arrested for exporting “soft drugs.” He did not identify the woman or elaborate on the type of drugs in question. Police later tweeted that they fined the woman and released her.
Minaj, who is 41 years old, tweeted that she believes police just wanted to make her late for her concert in Manchester.
“Told you, it’s to try to make me late so that they can write negative stories. Jealousy is a disease. You know the rest,” Minaj tweeted.
Her representatives didn’t immediately respond to messages Saturday.
The Trinidadian-born rapper is best known for her hits “Super Freaky Girl,” “Anaconda” and “Starships.” She has been nominated for 12 Grammy awards over the course of her career. The Manchester concert is part of her “Pink Friday 2” tour, which includes stops in Paris, Poland, Germany, Romania and Switzerland.
Neighborhood in Peru hosts film festival celebrating tropical forests
BELÉN, Peru | In the heart of Peru’s Amazon region, a poor neighborhood put aside the trials and tribulations of everyday life and celebrated an international film festival with works from countries with tropical forests.
Many who attended the 10-day event had never seen a movie on the big screen, and the one used for the festival was itself unique due to the area’s geography.
“The festival aims to be a tribute to the jungles of the world and its people, to the Indigenous communities, in which we believe lies the answer to the challenges and destruction that forests face now that everyone is talking about climate change,” Daniel Martínez-Quintanilla, co-executive director of the festival that ends Sunday, said.
Life in the community of Belén revolves around water. Houses and businesses are built on stilts because rains regularly lead to monthslong floods. Families own canoes to move around, but children who lack one sometimes use large plastic containers instead.
So, members of the Muyuna Floating Film Festival — muyuna in the Quechua language means “a whirlpool formed in mighty rivers” — set the screen on a 10- meter (33-foot) high wooden structure, allowing residents to enjoy the films from their canoes or the windows of their homes.
“For the first time, we are getting to know these settings that are bringing us to this community,” said Belén resident Jorge Chilicahua, a 60-year-old farmer who raises chickens and plants cassava, corn and vegetables to meet his family’s needs. He has never been to a movie theater.
Much of the population of Belén comes from rural areas of the Peruvian Amazon and are part of various Indigenous groups, including the Kukama, Yagua and Bora, that migrated in search of better economic, educational and health opportunities. Their challenges abound.
People fish by making holes in the wooden floors of their houses, which forces mothers to keep a watchful eye over their children who do not yet know how to swim so that they don’t fall into the water and drown. Health authorities have reported malnutrition and diarrhea are common due to lack of drinking water.
Martínez-Quintanilla said the event included films from Thailand, Brazil, Taiwan, Panama and other countries with tropical forests, as well as others made by young Peruvians.
The works screened included the Peruvian animated short film “The Engine and the Melody,” which tells the story of an ant that fells Amazonian trees and a cicada that manages to regenerate the forest by playing a prodigious flute — until everything changes when a forest fire occurs.
—From AP reports
