Guilty pleasures
By NewsPress Now
Olympian Kristi Yamaguchi is ‘tickled pink’ to inspire a Barbie doll
Like many little girls, a young Kristi Yamaguchi loved playing with Barbie. With a schedule packed with ice skating practices, her Barbie dolls became her “best friends.”
So, it’s surreal for the decorated Olympian figure skater to now be a Barbie girl herself.
“It’s a huge, huge honor. I think a lot of pride comes along with it, not just recognizing the Olympic achievement, but also being recognized during AAPI Month and following in the footsteps of some incredible women that I idolize — Anna May Wong, Maya Angelou and Rosa Parks,” Yamaguchi told The Associated Press. “It’s hard to see me put in the category with them.”
Yamaguchi, who became the first Asian American to win an individual figure skating gold medal, at the 1992 Winter Olympics, has been immortalized as a doll for Barbie’s “Inspiring Women Series,” Mattel announced Wednesday. The release is timed for Asian American and Pacific Islander Heritage Month, in May.
This isn’t Yamaguchi’s first doll depiction. In the ‘90s, touring show Stars on Ice put out a line of dolls modeled after notable skaters. The Barbie version is a lot more detailed.
Mattel duplicated everything the then 20-year-old medalist wore at the Olympics in Albertville, France: the sparkling black-and-gold brocade outfit designed by Lauren Sheehan, the gold hair ribbon and even a red-and-white bouquet like Yamaguchi held atop the podium.
Yamaguchi said both she and Sheehan are “just so tickled pink.”
She also is happy with the doll’s visage.
“It looks like me for sure. You know, the eyes and just the shape of the face. And then, of course, the hair, for sure. I mean, it has the bangs that are the ‘90s,” Yamaguchi said, chuckling.
She appreciates that the doll’s release comes on the high heels of the blockbuster “Barbie” movie last year. Her daughters, ages 18 and 20, are fans of the Oscar-nominated film. Their initial reaction to their mother being a Barbie? Disbelief.
“When they found out I was getting a doll, they were kind of flabbergasted and being like, ‘What? Like Mom, like how do you qualify? But that’s way too cool for you,’” Yamaguchi said.
When Yamaguchi became a household name in the ‘90s, most Asian American children were growing up feeling like toys-aren’t-us kids. If you were an Asian parent looking for an Asian doll in the U.S., you likely turned to independent mail-order companies or waited until you were visiting your country of heritage.
Since then, the toy market has evolved somewhat with big companies like Mattel diversifying and independent entrepreneurs filling the void. Two Asian doll lines — Jilly Bing and Joeydolls — launched within the last year, one by an Asian American mother and the other by an Asian Canadian mother. Both could not find dolls that looked like their daughters.
Sapna Cheryan, a professor of psychology at the University of Washington who served a year on Mattel’s Barbie Global Advisory Council in 2018, said Asian Americans have long dealt with two stereotypes: the model-minority whiz kid or the perpetual foreigner. Toys can help dispel those myths, and instead signal acceptance and inclusivity.
Dolls modeled after real people can get people talking about their human counterparts. Cheryan applauded Barbie’s choice of Yamaguchi.
“There are so many Asian American athletes but they’re just not propped up in a way that athletes of other racial groups are,” said Cheryan, who researches cultural stereotypes and their impact on race and gender disparities. “Having a match in terms of racial identification or gender or both,” she said, is important in creating effective role models for kids.
Mattel has mostly garnered praise for its diversity efforts but it’s had some missteps along the way. In 2021, the toy maker said it “fell short” by failing to include an Asian doll in a line of Tokyo Olympics-themed Barbies. In January, there was some backlash to Asian “You Can Be Anything” Barbies that seemed stereotypical. One was a violinist and the other a doctor in panda scrubs.
Tying Yamaguchi to Barbie, a symbol of American pop culture, is especially remarkable considering what she and her family have dealt with as Japanese Americans. She has spoken about how her maternal and paternal grandparents were forced into U.S. incarceration camps in response to Japan’s 1941 attack on Pearl Harbor.
When she captured the gold over 50 years later, media coverage partially focused on why she didn’t seem to have many endorsement deals. In an AP article from 1992, a sports advertising executive blamed her Japanese heritage, citing an economic climate that was anti-Japan. “It’s wrong, wrong, wrong, but that is the way it is,” the executive said.
So while Barbie may seem like just a toy, it’s so much more for Yamaguchi.
“When kids see themselves or see someone who inspires them, then it just opens up their world and their imagination to what’s possible,” she said.
Photographer alleges he was forced to watch Megan Thee Stallion have sex
LOS ANGELES | A photographer who worked for Megan Thee Stallion said in a lawsuit filed Tuesday that he was forced to watch her have sex, was unfairly fired soon after and was abused as her employee.
In the suit filed in Los Angeles Superior Court, Emilio Garcia said that after a night out in 2022 in Ibiza, Spain, he was in an SUV with the hip-hop star when she began having sex with another woman right next to him. He was unable to get out of the moving car, and would have been in the middle of nowhere in a foreign country even if he was able. Garcia was “embarrassed, mortified and offended throughout the whole ordeal,” according to the lawsuit.
Alex Spiro, Megan’s lawyer, said she would fight the lawsuit in court.
“This is an employment claim for money — with no sexual harassment claim filed and with salacious accusations to attempt to embarrass her,” Spiro said.
The next day Megan told Garcia never to discuss what he saw and berated and fat-shamed him, the lawsuit said. The complaint also said Garcia, who had already considered quitting because he was overworked and underpaid in a hostile work environment aggravated by Megan’s possessiveness and abusiveness, was misclassified as an independent contractor but treated as an exclusive employee.
Garcia raised those issues in the conversation with Megan, and was fired the following day after four years of working for her, the suit said. He has since filed a job discrimination complaint with the California Civil Rights Department.
The lawsuit, first reported by NBC News, names as defendants Megan, whose legal name is Megan Pete; her companies Megan Thee Stallion Entertainment and Hot Girl Touring; and her label, Roc Nation. A defense response has yet to be filed. There was no immediate response to an email seeking comment from a representative of Roc Nation.
Garcia is seeking financial damages to be determined at trial, alleging he has suffered severely both emotionally and physically because of his treatment on the job, the firing and having to witness the scene in the SUV.
Megan, 29, was previously involved in major legal drama — and underwent a torrent of online abuse — as the victim of a shooting by rapper Tory Lanez, who a jury found fired at her feet on a street in the Hollywood Hills in 2020. She testified at the trial where jurors convicted Lanez of three felonies and a judge sentenced him to 10 years in prison.
Already a major rising artist at the time of the shooting, Megan has since become one of hip-hop’s biggest stars. She won a Grammy for best new artist in 2021, and she had No. 1 singles with “Savage,” featuring Beyoncé, and as a guest on Cardi B’s “WAP.”
Portrait by Gustav Klimt sold for $32 million at auction
VIENNA | A portrait of a young woman by Gustav Klimt that was long believed to be lost was sold at an auction in Vienna on Wednesday for $32 million.
The Austrian modernist artist started work on the “Portrait of Fräulein Lieser” in 1917, the year before he died, and it is one of his last works. Bidding started at 28 million euros, and the sale price was at the lower end of an expected range of 30-50 million euros.
The painting went to a bidder from Hong Kong, who wasn’t identified.
The Im Kinsky auction house said that “a painting of such rarity, artistic significance, and value has not been available on the art market in Central Europe for decades.”
The intensely colored painting was auctioned on behalf of the current owners, Austrian private citizens whose names weren’t released, and the legal heirs of Adolf and Henriette Lieser, one of whom is believed to have commissioned the painting. It’s not entirely clear which member of the Lieser family was the model.
Klimt left the painting, with small parts unfinished, in his studio when he died of a stroke in early 1918 and it was given to the family who had commissioned it, according to the auction house.
The Jewish family fled Austria after 1930 and lost most of their possessions.
It’s unclear exactly what happened to the painting between 1925 and the 1960s, a period that includes the Nazi dictatorship. Austria was annexed by Nazi Germany in 1938.
The auction house says there is no evidence that the painting was confiscated then, but also no proof that it wasn’t. It ended up with the current owners through three successive inheritances.
In view of the uncertainty, an agreement was drawn up with the current owners and the Liesers’ heirs to go forward with the sale under the Washington Principles, which were drafted in 1998 to assist in resolving issues related to returning Nazi-confiscated art.
The auction house said it was very happy with Wednesday’s result.
The sale price was an art auction record for Austria. The highest price previously paid at an auction in the country was just over 7 million euros for a work by Frans Francken the Younger in 2010.
Italy bans loans of works to the Minneapolis Institute of Art
ROME | Italy’s Culture Ministry has banned loans of works to the Minneapolis Institute of Art, following a dispute with the U.S. museum over an ancient marble statue believed to have been looted from Italy almost a half-century ago.
The dispute began in March 2022 when an Italian court ruled that the Minneapolis museum was irregularly in possession of the Stabiae Doriforo, a Roman-era copy of The Doryphoros of Polykleitos, an ancient Greek sculpture.
Rome claims that the sculpture was looted in the 1970s from an archaeological site at Stabiae, an ancient city close to Pompeii that was also covered by lava and ashes when Mount Vesuvius erupted in A.D. 79.
A spokesman for Italy’s Culture Ministry confirmed the ban on Wednesday.
In February 2022, Italian prosecutors issued an international warrant for the artwork to be impounded and returned. At a news conference earlier this year, Nunzio Fragliasso, chief prosecutor at the Torre Annunziata court, said they were “still awaiting a response.”
In 1984, while the work was on display in a German museum, Italy initiated a legal proceeding to claim it. The claim was denied in 1986. The U.S. museum, which bought the statue in 1986 for $2.5 million, said it was purchased from art dealer Elie Borowski and imported into the United States.
“Since that time, the work has been publicly displayed and extensively published,” the Minneapolis museum said in a statement. “While it takes issue with recent press reports regarding the Doryphoros, Mia (the museum) believes that the media is not an appropriate forum to address unproven allegations.”
The museum asserted that it has always acted “responsibly and proactively” with respect to claims related to its collection. However, it added, “where proof has not been provided, as well as where Mia has evidence reasonably demonstrating that a claim is not supported, Mia has declined to transfer the work.”
The museum called Italy’s new ban on loans “contrary to decades of exchanges between museums.”
—From AP reports
