Guilty pleasures
By NewsPress Now
‘Oppenheimer’ crowned best picture at Academy Awards
LOS ANGELES | “Oppenheimer,” a solemn three-hour biopic that became an unlikely billion-dollar box-office sensation, was crowned best picture at a 96th Academy Awards that doubled as a coronation for Christopher Nolan.
After passing over arguably Hollywood’s foremost big-screen auteur for years, the Oscars made up for lost time by heaping seven awards on Nolan’s blockbuster biopic, including best actor for Cillian Murphy, best supporting actor for Robert Downey Jr. and best director for Nolan.
In anointing “Oppenheimer,” the Academy of Motion Pictures Arts and Sciences did something it hasn’t done for more than a decade: hand its top prize to a widely seen, big-budget studio film. In a film industry where a cape, dinosaur or Tom Cruise has often been a requirement for such box office, “Oppenheimer” brought droves of moviegoers to theaters with a complex, fission-filled drama about J. Robert Oppenheimer and the creation of the atomic bomb.
“For better or worse, we’re all living in Oppenheimer’s world,” said Murphy in his acceptance speech. “I’d like to dedicate this to the peacemakers.”
As a film heavy with unease for human capacity for mass destruction, “Oppenheimer” also emerged — even over its partner in cultural phenomenon, “Barbie” – as a fittingly foreboding film for times rife with cataclysm, man-made or not.
Sunday’s Oscars at the Dolby Theatre in Los Angeles unfolded against the backdrop of wars in Gaza and Ukraine, and with a potentially momentous U.S. election on the horizon. Awards for the documentary winner, “20 Days in Mariupol,” and best international film, “The Zone of Interest,” brought geopolitics into the Oscar spotlight.
The most closely watched contest went to Emma Stone, who won best best actress for her performance as Bella Baxter in “Poor Things.” In what was seen as the night’s most nail-biting category, Stone won over Lily Gladstone of “Killers of the Flower Moon.” Gladstone would have become the first Native American to win an Academy Award.
Instead, Oscar voters couldn’t resist the full-bodied extremes of Stone’s “Poor Things” performance. The win for Stone, her second best actress Oscar following her 2017 win for “La La Land,” confirmed the 35-year-old as arguably the preeminent big-screen actress of her generation. The list of women to win best actress two or more times is illustrious, including Katharine Hepburn, Frances McDormand, Ingrid Bergman and Bette Davis.
“Oh, boy, this is really overwhelming,” said Stone, who fought back tears and a broken dress during her speech.
Sunday’s broadcast had razzle dazzle, including a sprawling song-and-dance rendition of the “Barbie” hit “I’m Just Ken” by Ryan Gosling, with an assist on guitar by Slash and a sea of Kens who swarmed the stage.
But protest and politics intruded on an election-year Academy Awards. Late during the show, host Jimmy Kimmel read a critical social media post from former president Donald Trump.
“Thank you for watching,” said Kimmel. “Isn’t it past your jail time?”
Nolan has had many movies in the Oscar mix before, including “Inception,” “Dunkirk” and “The Dark Knight.” But his win Sunday for direction is the first Academy Award for the 53-year-old filmmaker. Addressing the crowd, Nolan noted cinema is just over a hundred years old.
“Imagine being there 100 years into painting or theater,” said Nolan, who shared the best-picture award with Emma Thomas, his wife and producer. “We don’t know where this incredible journey is going from here. But to know that you think that I’m a meaningful part of it means the world to me.”
Downey, nominated twice before (for “Chaplin” and “Tropic Thunder”), also notched his first Oscar, crowning the illustrious second act of his up-and-down career.
“I’d like to thank my terrible childhood and the academy, in that order,” said Downey, the son of filmmaker Robert Downey Sr.
“Barbie,” last year’s biggest box-office hit with more than $1.4 billion in ticket sales, ultimately won just one award: best song (sorry, Ken) for Billie Eilish and Finneas’ “What Was I Made For?” It’s their second Oscar, two years after winning for their James Bond theme, “No Time to Die.”
Protests over Israel’s war in Gaza snarled traffic around the Dolby Theatre in Los Angeles, slowing stars’ arrival on the red carpet and turning the Oscar’ attention toward the ongoing conflict. Some protesters shouted “Shame!” at those trying to reach the awards.
Jonathan Glazer, the British filmmaker whose chilling Auschwitz drama “The Zone of Interest” won best international film, drew connections between the dehumanization depicted in his film and today.
“Right now, we stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation which has led to conflict for so many innocent people, whether the victims of October the 7th in Israel, or the the ongoing attack on Gaza, all the victims, this dehumanization, how do we resist?”
A year after “Navalny” won the same award, Mstyslav Chernov’s “20 Days in Mariupol,” a harrowing chronicle of the early days of Russia’s invasion of Ukraine, won best documentary. The win, a first for The Associated Press and PBS’ “Frontline,” came as the war in Ukraine passed the two-year mark with no signs of abating.
Chernov, the Ukrainian filmmaker and AP journalist whose hometown was bombed the day he learned of his Oscar nomination, spoke forcefully about Russia’s invasion.
“This is the first Oscar in Ukrainian history, and I’m honored,” said Chernov. “Probably I will be the first director on this stage to say I wish I’d never made this film. I wish to be able to exchange this (for) Russia never attacking Ukraine.”
In the early going, Yorgos Lanthimos’ Frankenstein-riff “Poor Things” ran away with three prizes for its sumptuous craft, including awards for production design, makeup and hairstyling and costume design. “Poor Things” fared second best to “Oppenheimer,” with a total of four awards.
Kimmel, hosting the ABC telecast for the fourth time, opened the awards with an monologue that emphasized Hollywood as “a union town” following 2023’s actor and writer strikes, drew a standing ovation for bringing out teamsters and behind-the-scenes workers — who are now entering their own labor negotiations.
The night’s first award was one of its most predictable: Da’Vine Joy Randolph for best supporting actress, for her performance in Alexander Payne’s “The Holdovers.” An emotional Randolph was accompanied to the stage by her “Holdovers” co-star Paul Giamatti.
“For so long I’ve always wanted to be different,” said Randolph. “And now I realize I just need to be myself.”
Though Randolph’s win was widely expected, an upset quickly followed. Hayao Miyazaki’s “The Boy and the Heron” won for best animated feature, a surprise over the slightly favored “Spider-Man: Across the Spider-Verse.” Miyazaki, the 83-year-old Japanese anime master who came out of retirement to make “The Boy and the Heron,” didn’t attend the ceremony. He also didn’t attend the 2003 Oscars when his “Spirited Away” won the same award.
Best original screenplay went to “Anatomy of a Fall,” which, like “Barbie,” was penned by a couple: director Justine Triet and Arthur Harari. “This will help me through my midlife crisis, I think,” said Triet.
In adapted screenplay, where “Barbie” was nominated — and where some suspected Greta Gerwig would win after being overlooked for director — the Oscar went to Cord Jefferson, who wrote and directed his feature film debut “American Fiction.” He pleaded for executives to take risks on young filmmakers like himself.
“Instead of making a $200 million movie, try making 20 $10 million movies,” said Jefferson, previously an award-winning TV writer.
The Oscars belonged largely to theatrical-first films. Though it came into the awards with 19 nominations, Netflix was a bit player. Its lone win came for live action short: Wes Anderson’s “The Wonderful Story of Henry Sugar,” based on the story by Roald Dahl.
The win for “Oppenheimer” offered Hollywood a chance to celebrate despite swirling storm clouds in the film industry. Nolan’s film debuted last year just as actors joined screenwriters in a prolonged strike over streaming economics and artificial intelligence. The actors’ strike ended in November, but little of Hollywood’s unease subsided. Streaming has proved less lucrative for most studios not named Netflix.
But “Barbenheimer” was the kind of unplanned phenomenon Hollywood needs more of. The two films could also give a lift to the Oscar telecast, which has historically benefitted from having big movies in contention. The Academy Awards’ largest audience ever came when James Cameron’s “Titanic” swept the 1998 Oscars.
Kate, Princess of Wales, apologizes for altering family photo
LONDON | Kate, Princess of Wales, apologized Monday for “confusion” caused by her altering of a family photo released by the palace — an image of Kate and her children that was intended to calm concern and speculation about the British royal’s health, but had the opposite effect.
Several news agencies that initially published the photo, including The Associated Press, withdrew the image over concerns about digital manipulation. Issued by the couple’s Kensington Palace office on Sunday to mark Mother’s Day in Britain, it was the first official photo of 42-year-old Kate since she had abdominal surgery nearly two months ago.
The retractions sent the online rumor mill, already rampant with speculation over Kate’s operation and recuperation, into overdrive. The PR disaster is more evidence that the royal family’s long-held mantra — “never complain, never explain” — is impossible in a social media-saturated era.
In a post on social media, Kate said that “like many amateur photographers, I do occasionally experiment with editing.”
“I wanted to express my apologies for any confusion the family photograph we shared yesterday caused,” the post said.
In the past, the palace has issued several of Kate’s family snapshots featuring her and heir to the throne, Prince William, with their children Prince George, 10, Princess Charlotte, 8, and Prince Louis, 5.
The latest photo was taken by William, Kensington Palace said. In an accompanying social media message, Kate said: “Thank you for your kind wishes and continued support over the last two months. Wishing everyone a Happy Mother’s Day.”
While there was no suggestion the photo was fake, AP retracted it because closer inspection revealed the source had manipulated the image in a way that did not meet AP’s photo standards. For instance, it contained an inconsistency in the alignment of Princess Charlotte’s left hand with the sleeve of her sweater.
Other major news agencies, including Getty, Reuters, AFP and the U.K. national agency, PA, also withdrew the photo.
Kensington Palace said it would not release the original unedited photograph. And while Kate’s statement provided a measure of clarification, it looked unlikely to stop the swirl of rumor that has accelerated during her absence from public duties.
Former BBC royal correspondent Peter Hunt said the mishandled photo release “is damaging for the royals.”
“They knew there would be intense interest in any picture they released of Kate,” he wrote on X, formerly known as Twitter. “Their challenge is that people will now question whether they can be trusted and believed when they next issue a health update.”
The royal family is under particular scrutiny because King Charles III has also had to cancel public duties while he undergoes treatment for an unspecified form of cancer. The monarch has canceled all his public engagements, though he has been photographed walking to church and meeting privately with government officials and dignitaries.
Charles’ relative openness about his diagnosis was a departure for the generally secretive royal family. But it has been eclipsed in popular interest by curiosity over Kate’s condition. In the absence of firm information, conspiracy theories have rushed to fill the vacuum.
The release of the photo followed weeks of gossip on social media about what had happened to Kate since she left a hospital Jan. 29 after a nearly two-week stay following planned surgery. She hadn’t been seen publicly since Christmas Day.
Kate underwent surgery Jan. 16 and her condition and the reason for the operation have not been revealed, though Kensington Palace said it was not cancer-related.
Although the palace initially said that it would only provide significant updates and that she would not return to royal duties before Easter — March 31 this year — it followed up with a statement last month saying she was doing well.
At the time, royal aides told The Sun newspaper: “We’ve seen the madness of social media and that is not going to change our strategy. There has been much on social media but the princess has a right to privacy and asks the public to respect that.”
Further questions were raised last week when the British military seemed to jump the gun in announcing Kate would attend a Trooping the Color ceremony in June, apparently without consulting palace officials.
It’s up to palace officials, not government departments, to announce the royals’ attendance at events. Kensington Palace didn’t confirm any scheduled public events for Kate, and the army later removed reference to her attendance.
William, Queen Camilla and other senior royals attended a Commonwealth Day service at Westminster Abbey on Monday. Neither Kate nor the king was due to be at the event, which drew a crowd of several dozen anti-monarchist protesters holding signs reading “Down with the Crown.”
William was also due to speak at an event for the Earthshot Prize, an environmental competition that he founded.
Veteran public relations consultant Mark Borkowski said the photo gaffe exposed a wider PR problem for the monarchy.
“There doesn’t seem to be that much joined-up strategic thinking at the heart of the royal family at the moment, which leads to these problems where it’s a very difficult organization to manage in terms of PR,” he said.
“I find they have risen to the challenge, provided the statement as an explanation,” he said of Kate’s apology Monday. “The question is, with all the conspiracy theories running around, is whether people believe it. And I’m not sure that they will.”
La Scala performers and workers call for Gaza cease-fire
MILAN | Just before an opera-ballet set in conflict, La Scala’s principal dancer Roberto Bolle, general manager Dominique Meyer and other members of the dance company, orchestra and stage crew faced the audience as the curtain rose. It revealed a banner with the imperative: “Cease fire.”
The sentiment referring to the war in Gaza received a standing ovation lasting at least two minutes Saturday evening before the final performance of the opera house’s original production “Madina.” It tells the story of a Chechen woman who is manipulated to become a suicide bomber after she is orphaned and raped by Russian soldiers.
In a title role performed by La Scala ballerina Antonella Albano, Madina repents at the last minute and throws down her suicide vest inside a crowded Moscow café.
Albano, “Madina” composer Fabio Vacchi and conductor Michele Gamba were also among the dozens of La Scala performers and staff who stood beneath the banner.
It was the famed Milan theater’s first comment on the war in Gaza, but not the first time it has waded into the politics of war.
La Scala music director Riccardo Chailly held a concert for peace in Ukraine in April 2022, with proceeds going to help the population hit by the war. The theater joined others in dropping Russian conductor Valery Gergiev from its program because of his failure to distance himself from the invasion. Ukrainians later protested La Scala’s staging of the Russian opera “Boris Godunov,” for the opening of its 2022-23 season.
Vanessa Hudgens is pregnant, revealing baby bump at Oscars
LOS ANGELES | Vanessa Hudgens opened the Oscars red carpet pre-show with news of her own: She’s expecting.
The 35-year-old actor-singer turned to the side, revealing a baby bump under her strapless, long-sleeved black gown on Sunday night.
During the 30-minute show she hosted on ABC, Hudgens accepted congratulations from various celebrities on the impending birth of her first child.
A publicist for Hudgens didn’t immediately respond to an email request for comment.
In December, Hudgens married Cole Tucker, a shortstop who signed with the Seattle Mariners in the offseason and is likely headed to the minor leagues when the season begins later this month.
Hudgens rose to fame as part of the “High School Musical” movie series.
—From AP reports
